Eric Salzman: Composer, Author, Music Theater Innovator

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New Releasings

Labor Records in collaboration with Naxos is releasing a series of recordings of my work covering more than half a century! The most recent release is "Jukebox in the Tavern of Love" paired with a new work by Meredith Monk. "The Nude Paper Sermon" and "Wiretap" is a double album containing no fewer than five works; see below for details. "Civilization & its Discontents" is a words-and-music collaboration with Michael Sahl. More information, reviews and ordering (physical or digital editions) is available below or by going to Labor Records.

Jukebox in the Tavern of Love Nude Paper Sermon - Wiretap Civilization Discontents

Scott Joiner sings cummings songs again

Scott Joiner and Eric Sedgwick reprised my settings of e e cummings love songs — now retitled “Speaking of Love” (a line from one of the poems) — at the Manhattan School of Music last night. The first part of the program was an unusual collection of Italian songs in three different Italian dialects: Venetian (songs from Stravinsky’s ” Pulcinella”), Neapolitan (songs by  Luigi Denza, Tosti and others) and Florentine (also known as Italian; songs by Monteverdi, Verdi and Bellini. Plans are in the works to record the set as part of an album of Salzman vocal music.

Date Posted // December 09, 2016
In Categories // Events, News, Recordings, Speaking of Love (e e cummings songs), Works and Productions

recent review of Jukebox from Cadence Magazine

“Fans of contemporary and early vocal music are well-served on the most recent release by the Western Wind Vocal Ensemble. They feature two recent pieces: Meredith Monk’s “Basket Rondo” and Eric Salzman’s “Jukebox In The Tavern Of Love”….

Salzman’s piece is subtitled “A Madrigal Comedy” perhaps inaugurating a new genre. It surely is unique. It involves six characters (an Italian-American bartender, a nun, a Broadway dancer, an Orthodox Rabbi, and Irish poet and a utility worker) who meet in a bar in New York City during a summer blackout. With the ethnicity factor, it sounds like a bad joke is about to be sprung (did you hear the one about…) but the ethnicity is actually deftly handled as each singer reveals her/his character and story. The libretto is by Valeria Vasilevski and the comedy can be mildly funny as when the chorus sings about “romping with my baby” while the dancer shouts out tap dance steps….But what makes this worth hearing is the ensemble’s execution of the material. There are some interesting interludes with multi-part madrigal harmony and counterpoint. The ensemble blends beautifully and the writing is quite good. It’s an unusual piece, to be sure and worth hearing, especially by those with a taste for contemporary vocalizing.

–Robert Iannapolo

Video of “Jukebox” posted on YouTube

A complete video of the Salzman/Vasilevski “Jukebox in the Tavern of Love” has been posted on YouTube — just in time for Valentine’s Day! The performance is by the Western Wind who commissioned the work and gave its premiere performance at The Flea Theater in New York’s Tribeca. The production, directed by Valeria Vasilevski features the same Western Wind singers that can be heard on the recent Labor/Naxos recording of the work: Kristina Boerger, soprano; Laura Christian, soprano; William Zukof, counter-tenor; Todd Frizzell, tenor; Richard Slade, tenor; Elliot Levine, baritone.

from The Gramophone

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New recording of “Jukebox in the Tavern of Love” is cited by Gramophone 2014 Awards issue as a best of year!

The new Western Wind recording of two commissioned works — “Jukebox in the Tavern of Love” (Eric Salzman; text by Valeria Vasilevski) and Meredith Monk’s “Basket Rondo” — has been selected in the current 2014 awards issue of Gramophone as a best of year. Here is an excerpt from Daniel Rosenberg’s review of this recent Labor/Naxos release:

“Salzman takes advantage of the [Western Wind’s] versatility and vocal gifts in Jukebox in the Tavern of Love, a ‘madrigal comedy’ with a libretto by Valeria Vasilevski. Set in a New York bar, the narrative introduces a series of characters (bartender, nun, dancer, rabbi, poet, utility worker), each of whom tells a story as the remaining observers react in Greek-chorus mode.

“The score is a delicious stew of musical styles, showing Salzman’s range as a composer and his ability to tickle the funny bone (with thanks to Vasilevski’s droll text). It’s a tour de force for the intrepid members of the Western Wind, who are as suave in the Renaissance-inspired material as they are swinging in Salzman’s jazzy concoctions.”

Gramophone, published in the UK, is the leading English-language publication covering the recording field. You can find the whole review at http://www.exacteditions.com/browse/345/365/40157/3/5/0/M%20Monk%20Salzman